Frequently Asked Questions

Why is it called a digital print?

It is a digital print because the final image is printed with an Epson 3000 printer on 100% rag, archival, art paper using special inks for longevity.

The larger and most recent artworks are Giclee Fine Art Prints on watercolor paper. See http://www.gicleeprint.net/abtGclee.shtm to learn more about the Giclee process.

How does it relate to traditional printmaking?

In traditional printmaking, the image is held on a stone as for a lithograph, and on a metal plate as for an etching. In this case of a digital print, the image is held in digital file. In all three cases, there is no original image as in a painting.

What is your creative process with the digital media?

I use the computer as an integral part of my creative process. Depending on the piece I can use one or more software programs. I mostly prefer to use Adobe Photoshop. Sometimes, I scan in a drawing, painting, or collage and then use it as part of the art piece, or I may work it extensively with the various programs. There have been times that I use the prints as part of a collage. Also, I use my photographs that I manipulate and change very much. Each work of art is different, and its appearance must resonate with me. I do whatever is necessary until the outcome is obtained that I'm trying to achieve.

By using the computer, does it lessen the involvement or spontaneous flow of the creative spirit?

Of course, it depends on the person. As with any tool, one has to feel comfortable with it and it does require some knowledge or training. However, I find the creative process that I used in my work is not different than I used in my sculpture. I find that I had to be equally attentive to the guidance of my inner Self.

What recommendations would you give in framing?

I would ask for acid-free matting and backing to protect your investment. As with many art media, the Florescent or direct sunlight can be harmful for artwork. I recommend UV (Ultra Violet Ray) protective glass or acrylic glass. Generally, a two-inch mat is good for smaller works and a three-inch mat is good for larger works. Personally, I like to use a little larger mat than the norm, just for greater isolation from its surroundings.